WHAT WE THINK:
– Another great film by von Stroheim.
JUST A FEW WORDS (IN THE HEAT OF THE MOMENT):
A thoroughly ambiguous film that, just like it had happened for another film by Erich von Stroheim – the masterpiece Greed – reaches our age profoundly and brutally edited down to 141 minutes (from an expected length by the director to fall between 6 and 10 hours).
Located in Monte Carlo, painted like a surface facade of nobility and gambling (is it any different now?), takes off from the depiction of some fragile women who gets scammed by the protagonist but it lands heavy on the monstrous cruelty of the latter, placing the fault on the protagonist – which, although the title might make the film sound very aged, shows a complex modernity.
Foolish Wives definitively paints an eerie picture which offers a distressing landscape on the human soul in which even the ending more over than releasing a feeling of happy ending with some sort of a victory of good over evil, gives back the sense of cage and loss.
- A form of self-reflection of the film medium quite ahead of time (a book written by “von Stroheim”).
- Acting is as contemporary as it can be in 1922.
- Fierce critique of customs and traditions of a fake society destined to catch fire.
- The themes of erotism, dream, scam and monetary success are exceptionally modern in the way they are depicted.
- The (deceiving) importance of the appearance (monocle).
- It’s a shame we have to settle down for this brutally edited down version: the ending for example seems to be full of missing details and the characters lose a bit of shades.
What do you think of this film? Please leave a comment below and let us know!
To read more of these film “pills”, please visit our dedicated section.
Or, if you’re after a more-in-depth look at some films and/or filmmaking techniques more than just a quick take on the films as we watch them, please have a look at our Film Analysis page.
See all photos >>